In 2016, the European Commission first announced its plans to modernize EU copyright law.
Initially, the plans received little mainstream attention, but over the past year that changed drastically.
Article 13 and Article 11 of the Copyright Directive, which were renamed to Article 17 and Article 15 in the final text, were highly contested. Opponents repeatedly warned that the former would lead to “upload filters” and censorship, and the latter was framed as a “link tax.”
At the same time, many rightsholder groups, publishers, and other members of the creative industry embraced the proposals. They saw it as a much-needed lifeline to ensure fair remuneration on the Internet.
Today, the European Parliament voted on the final text of the proposed Directive.
First up was a proposal to reject the entire Copyright Directive. This was rejected with 443 votes against and 181 in favor. A subsequent vote to allow amendments to the text of the directive was also rejected, although that was very close with 317 in favor and 312 against.
Parliament then moved on to vote on the entire text of the Copyright Directive without any changes, including the renumbered Article 13 and Article 11.
With 348 Members of Parliament in favor, 274 against, and 36 abstentions, the Copyright Directive was adopted.
The decision comes as a major disappointment to Pirate Party MEP Julia Reda, who has been one of the most vocal opponents of the Copyright Directive.
Article 13 (now 17), requires many for-profit Internet platforms to license content from copyright holders. If that is not possible, they should ensure that infringing content is taken down and not re-uploaded to their services.
Many rightsholder groups are pleased with the outcome. Frances Moore, CEO of the music group IFPI, was quick to thank lawmakers for their efforts and is looking forward to seeing the changes implemented.
“This world-first legislation confirms that User-Upload Content platforms perform an act of communication to the public and must either seek authorization from rightsholders or ensure no unauthorized content is available on their platforms.
“The Directive also includes a ‘stay down’ provision requiring platforms to keep unlicensed content down – another global first,” Moore adds.
With support from the European Parliament, the Copyright Directive will now be sent to the Council, which has to formally adopt the law. This is likely to take place on April 9.
The Council can either accept Parliament’s changes or reject them, which would mean that further negotiations are required. This could introduce delays beyond the European elections on May 23, 2019.
If the Copyright Directive is adopted by the Council, EU member states will have to implement the text in local legislation. This won’t happen right away could take up to two more years.
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